Anita's Haven

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CROOKED INTERVIEW with MARK FINE

on 26/03/2017

The CROOKED TALES is another bountiful reader feast prepared for you by Readers Circle of Avenue Park and 15 extraordinary authors from around the globe. It contains 15 short stories on deception and revenge from all genres and walks of life, and is now available in kindle and paperback. It gives me a mixture of pride and humbleness to state that my story Beneath is also featured.

This spring I have an amazing treat for you as these superbusy authors have agreed to be my blog guests and do an interview. Crooked Tales inspiring my crookedness, I have also given them a task – in the second half of the interview they have to interview themselves:). 

To open this series of Crooked Interviews, here is MARK FINE, a man whose autobiography alone would make for a stunning movie. Thank you, Mr Fine!

ABOUT THE AUTHOR

Mark Fine [Mark of the Hyena], a self-confessed, tone-deaf music executive, was born in South Africa, However, now Los Angeles is his home. There with his two sons—and Charlie, an affectionate neighbor’s dog—Mark wrote his historical fiction novel, The Zebra Affaire—the story of a mixed race couple and their struggle to survive under the racist regime’s oppressive 1970’s apartheid policies. Mark also takes a broader look at the travails of greater Africa; a topic that concerns him greatly. A charming aspect of Mark’s writing is how he looks to nature—Africa’s animals and wildlife—for inspiration and a solution to human shortcomings. In the process of telling the truth via the freedom fiction provides, a reviewer said, “Mark Fine has been brave like William Faulkner in his journey of truth telling – he has simply done it with a much different kind of Southern accent.”  For further info on Mark, check out these links— Website: finebooks.co Blog: Fine Ruminations~ or you’re welcome to connect on Facebook and Twitter: @MarkFine_author

THE ZEBRA AFFAIRE: An Apartheid Love Story  (Paperback)

THE ZEBRA AFFAIRE  (Kindle Edition) 

INTERVIEW

– What is your Crooked tale about and what inspired it?

MARK OF THE HYENA: ‘Fish out of water’ stories intrique me. The set up of an elite academic from New York City stranded in the Kalahari desert with a tribe of San Bushmen as his only means of survival was too tempting to ignore. In the telling we learn of hubris wrapped in first world arrogance, and simple grace in respecting nature’s lore. 

– What do you like writing and/or reading best? 

I now have so many stories within me to tell, I’ve shifted my focus to short stories. This permits me the time to write them, and affords busy readers the time to read them.

– What else do you do in life apart from writing?

I mentor aspiring talent in both the music world, especially songwriters, and print publishing. It is the joy of collaboration that finally motivates me.


– What are you currently working on?

An historical fiction/suspense novel based in sub-Sahara Africa. It is based on a true story, and has the tantalizing title, “THE CULTURED SPY”.

CROOKED INTERVIEW

Conversation with myself: The whys and wherefores that shaped author Mark Fine’s novel, “The Zebra Affaire”

Mark Fine: What was the genesis of Zebra Affaire? Was it a grueling process or did it write itself?

Myself: More complex, more a creative evolution. I originally wanted to write a biography about my father. But, despite his accomplishments, he remained a modest man. I began to sense that the notion of a biography would be awkward for him. So I scrapped the idea. However, a great deal of research I’d already completed about his life and times. Subliminally, my mind must have churned away at this problem, because one day—a true kismet moment—the idea of courageous love story between a white woman and black man in the land of apartheid manifested itself. Only then did The Zebra Affaire ‘write itself’.

Mark Fine: Did you find that, as the characters developed, they changed the trajectory of the story from the original vision of the book?

Myself: The arc of the story remained surprisingly consistent. Probably because I wrote the end of my novel first. Seems counterintuitive, but it made sense to have a final destination as a guidepost. Kind of like a closing argument in a legal trial, I instinctively focused on the book’s conclusion when I began. Of course, as characters assumed a life of their own, the ending was constantly revisited, and refined.

Speaking about characters, I enjoyed adding the animal world and their instinctive code-of-honor into the story. As allegories to the foibles of human behavior, the natural behavior of these creatures was rather instructive. I’m thrilled I found a place for Africa’s wildlife in the book. It makes the experience all the more authentic for the reader, and foreshadows the human narrative at the heart of the story in a fresh way.

Mark Fine:  Which of the characters, if any, did I shape from personal experiences?

Myself:  The patriarch, the DGF character, typifies the decent people that tried to make a difference within the discriminatory apartheid system. Despite onerous job restriction laws that prohibited people of color from any management position, the real DGF did in fact hire and mentor a black man as a senior executive for a public company—despite such a hiring being illegal.

Due to the real DGF’s mentorship and ‘civil disobedience’, Rupert Bopape became a legendary music producer and label chief. DGF’s philosophy was simple in a complicated color-shaped society: merit is the only sustainable litmus test, and surpasses all other things that divide, such as race, tribe, gender, and faith. 

In the context of the times, DGF was quietly brave. Now for a confession, my late father David Gabriel Fine inspired the DGF character. Fittingly, by weaving his memoire within the tapestry of my historical fiction story I was finally able to pay tribute to a wonderful man, and terrific dad.

Mark Fine:  Your Zebra Affaire story deals with many areas of history and diverse ethnic groups. How much of the final work was a result of inspiration or research?

Myself: The schism between the various races and tribes was my motivation to write the novel, as it remains a cautionary tale. I felt the world tends to adopt a simplistic ‘bumper-sticker’ view of what in reality is a more complicated state of affairs. Things are invariably seen in stark black and white, when in fact it’s anything but immutable. For example, in South Africa the white clans hated each other (English speakers versus the Afrikaners from Dutch heritage), as do the various native tribes (Zulu, Sotho, Venda, Xhosa and others). It’s ironic that South Africa’s motto was “Unity is Strength” when it was such an intensely balkanized society.

But the challenge as a writer was to humanize this constantly shifting tide of societal unrest, and so the context—shocking for that time and place—of an illicit interracial romance. As such, the arcana of South Africa’s convoluted legal code needed thorough research.

However, my main goal is to entertain the reader. It’s the thrilling fusion of romance and suspense set against a canvas that’s vividly authentic and powerfully provocative that makes The Zebra Affairestory worth writing, and reading. This is about the courageous love story of Elsa and Stanwell, the two of them on a collision course with the mighty racist regime, which is the compelling narrative that draws the reader through the book’s pages. If the reader becomes better informed in the process, well, that’s an added bonus.

Mark Fine: If you could return to post-apartheid South Africa and make sweeping changes, what would they be?

Myself: Out with the men! The women of Africa are saints. That image of a humble woman walking miles in the heat of day, barefoot, with a five gallon bucket of water balanced on her head—and with a baby wrapped in a blanket bound to her back, is for me the essence of selfless sacrifice. Unless there is another Nelson Mandela, these women should represent the true voice of Africa. Tireless and dedicated they may be, yet sadly they remain marginalized, underappreciated, due to gender discrimination and patriarchal tradition. I believe it is time for an authentic, nurturing, honest African woman to become the next president of South Africa! Maybe this will become the topic of my next book…

MARK FINE’S QUESTIONS for other Crooked Tales authors

Do you find a silver lining in a bad review? If so, please give an example.

What percentage of the research you do for a novel actually lands up on the printed page?

Do you have an author you admire? If so, why?

Could the Crooked Tales authors please reply to this kind gentleman in the comments below? Other authors also welcome:)

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4 responses to “CROOKED INTERVIEW with MARK FINE

  1. geoffnelder says:

    Silver lining in a bad review?
    A reviewer of ARIA: Left Luggage complained that the book is set in 2016 and so the near future is now past and things I thought might happen, haven’t. In my local book group they shrugged (bit like a Mexican wave of shoulders travelling around the room) and pointed out they still enjoy 1984 and 2001 Space Odyssey. Two new members didn’t know I’d written ARIA so took out their Kindles and bought it. That’s a silver lining.

    Percentage of research used in the book?
    Related to the previous answer in that it was because I took over two years researching ARIA: Left Luggage and stopped writing after the first chapter, that it came out a scant 4 years before the dates in the novel. Those dates mattered because the premise involves retrograde infectious amnesia. Everyone infected loses memory at the rate of a year’s worth per week, so once I picked a date I had to keep to a calendar. Plus, little things like is the moon full or can you see the Dog Star in a certain direction on a particular night was researched and used. To reset the book ten years on would have resulted in intricate changes.
    Probably around 20% of the research into the neurology of amnesia was used; 10% of the techie stuff, especially of the space station and aircraft found its way in, but 90% of the wonderful milieu of the secret, yet real valley of Anafon in North Wales is there in the pages.

    An author I admire:
    The style of Julian Barnes; the imagination of China Miéville and the zany humour of Tibor Fischer, who’s The Thought Gang made me write Escaping Reality.

    Liked by 1 person

    • Hi Geoff,

      Amazing how supremely ‘literal’ some readers are. Yet, the reviewer in your tale seemed more committed to the ‘gotcha’ moment, than admit satisfication in your story. I tend to put 10% of the population into that contrarian category (just a gut feeling), so I gratefully accept 10% poor reviews know it is more a reflection of the human condition, than your and my writing.

      Though most of my research fails to land on the page, it gives me confidence to pursue the story wherever it takes me. Also, in discussions with book clubs, etc., I find myself well-briefed.

      Thanks for the book recommendations. I need to expand my repertoire.

      Cheers, Mark

      Liked by 1 person

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